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KarinaGroucho

Karina Longworth is the film editor of the LA Weekly, as well as the co-founder of Cinematical and the former editor of SpoutBlog. She recently returned to her hometown of Los Angeles after twelve years split between various other cities, most recently Brooklyn. This blog, when she remembers to update it, will be mostly about that.

6 January 10
Anybody want to come have dinner with me on the Upper West Side Friday night?  I need to go to Seppi’s to say goodbye to the one man who’s always been there for me since I moved to New York in 2003: Danny Stiles.
Danny Stiles (above right, next to Jackie Mason) is a spry octogenarian who has a ridiculous old-timey radio show on WNYC-AM (yes, only AM) every Saturday night from 8-10pm. The official title of the show is Big Band Sounds, but Danny usually refers to it on-air as The Danny Stiles Music Museum, and to himself as the Vicar of Vintage Vinyl. He mostly plays rare recordings of showtunes and American standards, sometimes from movies, mostly from the 1930s and 40s. In between songs, he tells long stories, sometimes about movie stars, but mostly about his life and times in New Jersey and his sixty years in radio. Sometimes he forgets what he was talking about mid story. It is awesome.
I discovered Danny Stiles my first weekend in New York, in the summer of 2003. I listened to the show on long nights studying in grad school, whilst closing up the pasta factory that I worked at in 2004-2005, on dates, at the start of all-nighters working on my still unfinished book, and pretty much any Saturday night that I spent alone in New York, and there were a lot of them. I will still be able to listen to Danny in Los Angeles, on the internet, but it won’t be the same. Mostly because it’ll be at 5:00.
So, to get to the point: every Friday night at the restaurant in the Parker Meridien on W. 56th street, Danny Stiles basically does his radio show, but with a live band. It starts at 8:30, and this Friday night (my last before I move to Los Angeles), I’m going to go there around the beginning of his show to eat dinner and spend one last night with Danny. I have a couple other things I should be at later that night, so I probably won’t be there long, but if you want to come with me for dinner, and we know each other in real life (or don’t, but know each other well enough on the internet for me to not be scared to have you at my dinner table), let me know.

Anybody want to come have dinner with me on the Upper West Side Friday night?  I need to go to Seppi’s to say goodbye to the one man who’s always been there for me since I moved to New York in 2003: Danny Stiles.

Danny Stiles (above right, next to Jackie Mason) is a spry octogenarian who has a ridiculous old-timey radio show on WNYC-AM (yes, only AM) every Saturday night from 8-10pm. The official title of the show is Big Band Sounds, but Danny usually refers to it on-air as The Danny Stiles Music Museum, and to himself as the Vicar of Vintage Vinyl. He mostly plays rare recordings of showtunes and American standards, sometimes from movies, mostly from the 1930s and 40s. In between songs, he tells long stories, sometimes about movie stars, but mostly about his life and times in New Jersey and his sixty years in radio. Sometimes he forgets what he was talking about mid story. It is awesome.

I discovered Danny Stiles my first weekend in New York, in the summer of 2003. I listened to the show on long nights studying in grad school, whilst closing up the pasta factory that I worked at in 2004-2005, on dates, at the start of all-nighters working on my still unfinished book, and pretty much any Saturday night that I spent alone in New York, and there were a lot of them. I will still be able to listen to Danny in Los Angeles, on the internet, but it won’t be the same. Mostly because it’ll be at 5:00.

So, to get to the point: every Friday night at the restaurant in the Parker Meridien on W. 56th street, Danny Stiles basically does his radio show, but with a live band. It starts at 8:30, and this Friday night (my last before I move to Los Angeles), I’m going to go there around the beginning of his show to eat dinner and spend one last night with Danny. I have a couple other things I should be at later that night, so I probably won’t be there long, but if you want to come with me for dinner, and we know each other in real life (or don’t, but know each other well enough on the internet for me to not be scared to have you at my dinner table), let me know.

27 December 09
Physical media is an albatross. Or so Wiley wrote on my Facebook wall. Behind me on my dining room table is the pile of physical media that I’m firmly determined to give away before I move to LA. There is another pile—of 40-odd books, maybe 20 records, and some DVDs in one of those black sleeve folder things—that I’m having trouble moving over to the dining room table pile.
I know that Wiley is probably right, and that it would feel terrific to show up in Los Angeles with nothing but a suitcase and a laptop (maybe not even that—my Macbook seems to be nearing its expiration date), to start a new life without these physical reminders of my various old lives.  I liked the light backpack bullshit part of Up in the Air.
Maybe I am an addict. Please, God, give me the courage to accept the things I cannot change … and also to give up the copy of A Supposedly Fun Thing I’ll Never Do Again that I’ve had for over ten years and have already shipped back and forth across the country three times.

Physical media is an albatross. Or so Wiley wrote on my Facebook wall. Behind me on my dining room table is the pile of physical media that I’m firmly determined to give away before I move to LA. There is another pile—of 40-odd books, maybe 20 records, and some DVDs in one of those black sleeve folder things—that I’m having trouble moving over to the dining room table pile.

I know that Wiley is probably right, and that it would feel terrific to show up in Los Angeles with nothing but a suitcase and a laptop (maybe not even that—my Macbook seems to be nearing its expiration date), to start a new life without these physical reminders of my various old lives.  I liked the light backpack bullshit part of Up in the Air.

Maybe I am an addict. Please, God, give me the courage to accept the things I cannot change … and also to give up the copy of A Supposedly Fun Thing I’ll Never Do Again that I’ve had for over ten years and have already shipped back and forth across the country three times.

24 December 09
I do not, under any circumstances, need my tribble mittens where I’m going. But I don’t think I can bear to give them up.

I do not, under any circumstances, need my tribble mittens where I’m going. But I don’t think I can bear to give them up.

Posted: 11:24 AM
23 December 09

Best Films of 2009, part 2: Top Ten

See Part 1 of this series, on the runners-up for my top ten list, here. Tomorrow I’ll post Part 3, on my favorite undistributed/yet to be distributed films of the year, and then Part 4, on my films of the decade.

This is actually a top 12, for reasons to be explained within.

10. Inglourious Basterds

9.  The Hurt Locker

8. Bad Lieutenant: Port of Call New Orleans

7.  The Limits of Control

6. Cargo 200

5.  Beeswax

4.  Summer Hours

3. The Girlfriend Experience/The Informant!

As far as I’m concerned, this was the most impressive year of Steven Soderbergh’s career, and his two 2009 releases are inextricably linked. I just wrote a story about this, will insert a link here when it’s published.

2. Two Lovers

1. Silent Light & Frontier of Dawn

Because of confusion regarding what constitutes a theatrical release (5 days or 14 days? In a traditional movie theater, or as part of a festival put on by a museum?), I named two different films on the indieWIRE and Village Voice polls. I knew Silent Light was not eligible for the Voice poll, because its 5 days at MoMA made it eligible for their poll in 2008, so on that list I named Philippe Garrel’s Frontier of Dawn as my favorite film of the year. Because that film played only 5 days at BAM before IFC released it on VOD, I thought it wasn’t eligible for the indieWIRE poll, which stipulated in the rules that a film must screen theatrically for a full week, so I chose Silent Light, which did 2 weeks at Film Forum in January. Whatever. They’re both masterpieces.

21 December 09
Today I wrote a thing about The White Hotel, the (for lack of a better four-word synopsis) surrealist erotic Holocaust novel that everyone from Barbra Streisand to David Lynch has attempted to turn into a film. Most recently attached to the project: Brittany Murphy and her creepy husband.
Above: the inside cover of my paperback copy of the book. For anyone wondering why this book is so hard to adapt, that image should go some way towards explaining — it’s almost a literal illustration.

Today I wrote a thing about The White Hotel, the (for lack of a better four-word synopsis) surrealist erotic Holocaust novel that everyone from Barbra Streisand to David Lynch has attempted to turn into a film. Most recently attached to the project: Brittany Murphy and her creepy husband.

Above: the inside cover of my paperback copy of the book. For anyone wondering why this book is so hard to adapt, that image should go some way towards explaining — it’s almost a literal illustration.

Posted: 1:26 PM

Best films of 2009, part 1: honorable mentions

People have been asking me where they can find my lists of the best (or, really, more accurately, my favorite) films of the year and decade. I thought I had pimped these pretty extensively when they went up at ToNY and indieWIRE, but hell, I’ll post them here too, just for the chance to add extra bullshit/context.

First, since I already used my Tumblr to shout out my runners-up for best films of the decade, here, in alphabetical order, are my honorable mentions for best films of 2009, with links to relevant things I’ve written about them where applicable.

35 Shots of Rhum, Avatar, Fantastic Mr. Fox, The House of the Devil, I’m Gonna Explode, Julia, Medicine for Melancholy, Night and Day (above), The Road, Tetro, Valentino: The Last Emperor, The Windmill Movie.

Posted: 10:48 AM
I love it when my friends are profiled on thisrecording.

I love it when my friends are profiled on thisrecording.

Reblogged: thisrecording

19 December 09

Merkin devotes much of her nearly 8,000 word piece to analyzing Meyers’s unique triumph in “Hollywood, [where] the glass ceiling is more shatterproof than in many other industries, giving way only when the pressure of accumulated evidence is brought to bear.” Merkin decides that Meyers’ success as a “Hollywood player” is at least partially due to the fact that, “aside from Nora Ephron, it is hard to think of another female director with as recognizable a cinematic imprint as hers, a certain look and feel that you can point to and credit, for better or worse, as uniquely hers.”

This statement might inspire anyone who has ever seen a film directed by a woman other than Ephron or Meyers to start reeling off examples of female filmmakers with their own “recognizable cinematic imprints.”

— Blah blah blah women, blah Manohla, Jezebel, Bigelow, blah blah stupid Nancy Meyers NYT Mag profile, blah blah blah. It IS complicated!
18 December 09
It comes as no surprise that Dr.Drew writes about narcissism because he genuinely wrestles with his own.

When Sex Rehab started to air, I was going to pitch a story about Dr. Drew as celebrity (and thus, an embodiment of much of what he tries to “cure” in celebrities), but then I fell into my own K-hole of post-employed narcissism and just … didn’t. I’m glad I didn’t try, because Sex Rehab’s Duncan Roy has now written a first hand account of his experience with the show, and it’s pretty great.

Note: whether or not Dr. Drew is a narcissist or even an adequate sex therapist, I would still be happy to accept his sex therapy, if you know what I mean.

Themed by Hunson. Originally by Josh